Jakub Trávník's resources

Nikon AF-S Nikkor 10-24mm Mini-Review

This is mini review of the widest focal length of the lens. I did not measure any other. I guess that 10mm is most important in evaluation of this lens since there are many good 12mm lenses, but few 10mm lenses.

Update 20130529: I have tested the lens on FX camera for various focal lenghts. Results are at the bottom.

Lens

Nikon AF-S Nikkor 10-24mm 1:3.5-4.5G ED, made in China.

Camera

Scene 1 - Wall with test chart

Series A

Target is in center, focus is on center.
Note: As flash was far, the window light contributed more and there is some light falloff at small apertures.

Overview:
A overview
100% crops:

Mouse over the image from left to right to see all images:
Series A
If you cannot mouse over, here are direct links: A f/3.5 A f/4 A f/5.6 A f/8 A f/11 .

Series B:

Target is in corner, focus is on center.
Note: flash was near so light falloff is minimal.

Overview:
B overview
100% crops:

Mouse over the image from left to right to see all images:
Series B
If you cannot mouse over, here are direct links: B f/3.5 B f/4 B f/5.6 B f/8 B f/11 .

Other look at corner (Series B) - all pictures from f/3.5 to f/11, all at 50% crops (as converted with ImageMagick convert -resize 50% -filter point)
B f/3.5B f/4B f/5.6B f/8B f/11

Can you see any important difference? At this 50% image magnification the full picture on my monitor would be 55cm wide. Is that enough or not?

Note that I have tested throughly only single corner. Others does not look any better or worse in normal pictures.

Scene 2 - Urban landscape

Overview (two compositions to cover all four corners):
Urban overview 1 Urban overview 2

Mouse over following images from left to right to see all apertures. Picture corner is indicated by red border.
Series P BL
If you cannot mouse over, here are direct links: A f/3.5 A f/4.5 A f/5.6 A f/8 A f/11 A f/16 .

Series P BR
If you cannot mouse over, here are direct links: A f/3.5 A f/4.5 A f/5.6 A f/8 A f/11 A f/16 .

Series P UL
If you cannot mouse over, here are direct links: A f/3.5 A f/4.5 A f/5.6 A f/8 A f/11 A f/16 .

Series P UR
If you cannot mouse over, here are direct links: A f/3.5 A f/4.5 A f/5.6 A f/8 A f/11 A f/16 .

Center - there is no need to wory about sharpness in center except for diffraction.
Series P A Center
If you cannot mouse over, here are direct links: A f/3.5 A f/4.5 A f/5.6 A f/8 A f/11 A f/16 .

Note that f/16 is noticably worse than f/11 in all pictures due to diffraction. In the center f/4.5 to f/5.6 are sharpest, f/3.5 and f/8 are bit worse. In the extreme corners f/11 is best.

Using lens on FX

Using this DX lens on FX camera is not a good idea, however with current cheap FX bodies any photographer using DX cameras scratches his/hers head and ask a question "what would be my upgrade path to FX, do I need to upgrade all of my lenses or some of them will work?". This lens indeed works at some apertures and possibly with some cropping.

I have tested the lens on Nikon D3. Here are the test images: browse all FX test files (nef raw file, jpg files from nef preview, and thumbnail jpgs are included). All files are at f/8.

FX Series 1

FX image
Focal Length: 10 mm
FX image
Focal Length: 12 mm
FX image
Focal Length: 15 mm
FX image
Focal Length: 17 mm
FX image
Focal Length: 18 mm
FX image
Focal Length: 20 mm
FX image
Focal Length: 24 mm

FX Series 2

FX image
Focal Length: 24 mm
FX image
Focal Length: 20 mm
FX image
Focal Length: 18 mm
FX image
Focal Length: 17 mm
FX image
Focal Length: 15 mm
FX image
Focal Length: 14 mm
FX image
Focal Length: 12 mm


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